Ghanaian highlife musician Bisa Kdei has stated firmly that a career in politics is not in his plans, saying he would prefer to focus on efforts to reform and strengthen the Ghana Music Rights Organisation (GHAMRO) instead.
In a recent interview, Bisa Kdei explained that while he cares deeply about national development, he believes his impact would be greater working within the music industry rather than entering partisan politics. He said that politics involves a level of compromise and conflict that does not align with his personal goals and creative energy.
Instead, the artist said his passion lies in addressing the challenges faced by musicians, particularly within GHAMRO, which is responsible for managing music rights and royalties in Ghana. According to him, reforms are needed to ensure that creators receive fair compensation and that the organisation operates transparently for the benefit of all stakeholders.
Bisa Kdei pointed out that many musicians struggle to earn income from their work due to inefficiencies and gaps in royalty collection and distribution. He said that by dedicating his voice and influence to GHAMRO’s improvement, he hopes to help create a more sustainable environment for artists, composers and producers.
The highlife star also emphasised the importance of unity among musicians and industry players in pushing for systemic change. He believes that collaboration and collective action can help address long‑standing issues, including intellectual property protection, financial accountability and support for emerging talents.
While discussing his decision, Bisa Kdei made it clear that his choice is not rooted in a lack of concern for societal issues, but rather in a belief that his skills and energy would be most effective in uplifting Ghana’s creative sector. He said that musicians can play a role in national development by contributing culturally and economically without necessarily engaging in formal politics.
His remarks have sparked conversation among fans and industry observers, with many applauding his focus on music rights advocacy. Some supporters noted that his commitment to GHAMRO’s reform reflects a growing awareness among artists about the importance of organisational accountability in the creative field.
As the discussion continues, many in the music community are calling for concrete steps toward improving GHAMRO’s operations and ensuring that artists are fairly rewarded for their contributions to Ghana’s cultural heritage.
